Stepping through the heavy wooden doors of Armory Studios NY felt like crossing a threshold—leaving one world behind for another. They don’t build places like this anymore. The Armory’s Art Deco bones echo a time of American optimism—less chrome than the Empire State or Chrysler buildings, but unmistakable in its craftsmanship, from the brown-brick archways to its soaring scale.
The RMS Titanic belonged to that same era of ambition. She was built as a monument to progress—to man’s confidence in steel, engineering, and the promises printed in glossy brochures. Her creators imagined themselves beyond the reach of storms, sea gods, and maritime superstition. Many believed she was indeed unsinkable.
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